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Later this summer filming will start in Morocco on a version of the emperor's story by British director John Boorman. Based on Marguérite Yourcenar's 1951 novel, Memoirs of Hadrian, Boorman's film casts Antonio Banderas in the lead role and Charlie Hunnam as Antinous, the Greek boy who became his lover and then drowned mysteriously in the Nile.
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'Hadrian was a real visionary. We will be telling an intimate story and a broad, epic story,' said Boorman this weekend. 'He managed to consolidate the empire, but in doing so he sowed the seeds of its ruin. His armies began to soften.'
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This organised dictator had many guises. He was homosexual and loved architecture and art, but he was also portrayed as a warrior, a beacon of learning and even a god. On top of all this, he was also a poet and writer, penning his own lost memoir . . . Edward Gibbon, the 18th-century historian, began his account of Rome's decline and fall: 'Under Hadrian's reign, the empire flourished in peace and prosperity. He encouraged the arts, reformed the laws, asserted military discipline, and visited all his provinces in person. His vast and active genius was equally suited to the most enlarged views, and the minute details of civil policy.'
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The physical remains of his energy are visible even today. Aside from the British wall, two other vast building projects - the restoration of the Pantheon and his tomb, the Castel Sant'Angelo, still add gravitas to the Roman skyline 1,900 years later.
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