Showing posts with label gay actors. Show all posts
Showing posts with label gay actors. Show all posts

Sunday, February 28, 2016

Hollywood’s Continued Diversity Problem


With the Academy Awards tonight, there will be much talk of Hollywood's diversity problem, with much focus on the lack of black actors among the nominees.  But in addition to the Academy's suggested racism is Hollywood's continued homophobia.  Both the Advocate and Towleroad look at the continued problem and point fingers at the system itself.  First, excerpts from The Advocate:

After the Academy of Motion Picture Arts and Sciences released the nominees for its 2016 Academy Awards, outrage followed. For the second year in a row, nominees in the four top acting categories (for best actor, actress, supporting actor, and supporting actress) are all white.
Charges of persistent racism spread like wildfire on social media in the #OscarsSoWhitecampaign. Jada Pinkett Smith, Spike Lee, and several other prominent people of color in the film and television industry vowed to boycott Sunday's Oscars ceremony at the Dolby Theatre in Los Angeles.
“These are all legitimate complaints,” says the Oscar-nominated actor Ian McKellen of the accusations of bigotry in Hollywood. McKellen suggests that actors of color aren't the only ones shut out of top honors. No openly gay man — including McKellen himself, twice nominated for an Academy Award, and one of our generation’s most impressive openly gay actors — has ever won an Oscar in the acting categories either. 
Commentators have taken Eddie Redmayne to task for playing a transgender woman in The Danish Girl. Redmayne, the film’s star, is a cisgender (nontrans), straight, white, British, Eton-educated actor who last year won a Best Actor Oscar for The Theory of Everything. For me, attacks against Redmayne seem similar to criticism of the Emmy-nominated transgender actress and advocate Laverne Cox for accepting the role of Dr. Frank-N-Furter in the upcoming television restaging of The Rocky Horror Picture Show.
Advocacy and education can change the hearts and minds of liberals and conservatives alike. But, some will still hate certain kinds of marginalized people no matter what we say or do. That's why we need legal protections for all of us, even those that appear (often mistakenly) to lack the respectablity of the "model minorities." Moreover, all gender-variant people deserve protections, regardless of our identity and our expression — whether we're medically transitioning or cross-dressing. 
But, the attention paid to individual performers obscures the root of the issue. Just as I said in 1993, it's the system that's the real problem. The New York Times recently unpacked the considerable impediments to changing the Academy's system of voting and membership. Despite the influence of its (relatively new) black female president, Cheryl Boone Isaacs, and the advocacy of Phil Alden Robinson, a progressive white director who serves as the Academy’s secretary, the organization’s bylaws pointedly prevent changes to many of its voting procedures and membership rules. 
A new report from the Media, Diversity and Social Change Initiative at the University of Southern California’s Annenberg School for Communication and Journalism found that the film and television industry is mired in an out-of-control “inclusion crisis.” The structure of the Academy epitomizes this crisis. Its voting members are 94 percent white, 76 percent male, and, on average, above the age of 63. And the bylaws of the organization appear designed to keep it that way.
Fundamentally, changing the composition of those in power is threatening to the powerful because it means that eventually they must share power with the very same people that they systematically ignored, excluded, or promoted only as tokens.
  Towleroad looks at the homophobia issue in particular:
What started as a reaction to the Academy of Motion Picture Arts and Sciences’ failure to nominate any actors of color for the second year in a row has expanded into a broader conversation about minority representation in Hollywood.
As more voices have emerged in that conversation, additional attention has been paid to the inequity which the LGBT community faces in the industry. While the Academy failed to nominate any person of color this year for an acting Oscar, it also failed to nominate any openly LGBT actors. . . . Yet, three were nominated for playing LGBTQ characters: Cate Blanchett and Rooney Mara as lovers in Carol and Eddie Redmayne for playing a trans woman in The Danish Girl.”
And this year is not an isolated year of exclusion for LGBT actors, as O’Keeffe notes
In the 10 years since Crash beat Brokeback Mountain for the best picture Oscar, things have improved little for movies about trans or queer characters. Only four movies about LGBTQ protagonists have been nominated for best picture: Milk, The Kids Are All Right, The Imitation Game and Black Swan. (Dallas Buyers Club‘s protagonist, played by Matthew McConaughey, is straight.) That number looks all the lower in context.
Hollywood, it seems, has a big problem with the LGBT community; one of representation and inclusion. And some of Hollywood’s top talent agrees.
Academy Award-nominee Chiwetel Ejiofor recently commented that he thought it was “harder to be gay” than to be black in Hollywood. He told The Times, “Sexuality is still marginalized in a way that is pretty open. I think it’s tough.”
Ian McKellen went on record saying that the frustration felt by black actors in Hollywood is not so dissimilar from that felt by gay actors.
To rub salt in that already festering wound is another reality LGBT actors experience in Hollywood: when straight actors get cast to play gay characters, they’re called brave; when gay actors get cast to play straight characters, they’re called lucky.
On a personal note, I would like to add that much of what the statistics and stories shared by LGBT people in entertainment about Hollywood’s LGBT inclusivity problem rings true for me as someone who has worked in various roles in “the industry.” While there are voices of support in many corners—individuals who champion LGBT actors, business professionals and stories— the overarching hegemony is one which does not value actors coming out as L, G, B or T, marginalizes and pigeonholes actors who are out, and ghettoizes LGBT stories, treating them as universally “edgy”, “controversial”, “risky” and “dangerous.”
 

Sunday, January 03, 2016

Did Actor Colton Haynes Just Come Out As Gay?

Increasingly it has become the norm for Hollywood reporters and scandal sheets to speculate about the sexual orientation of actors.  One who has been a target of this effort is Colton Haynes who has some very gay looking photos in his past that he once sought to suppress.  Now, Eonline reports that Haynes may be coming out:


Arrow star, Teen Wolf alum and former model Colton Haynes drew much attention on social media on Saturday when he replied to a person's comment about his supposed sexuality.

On Tumblr, a user had written, "When I found out Colton Haynes had a secret gay past, I got so excited even though i know it makes absolutely no difference in my life."

"Was it a secret?" Haynes, 27, responded on his own official Tumblr blog. "Let's all just enjoy life & have no regrets :)"

Colton, who is immensely popular and very active on a number of social media platforms, has always remained private online about his sexuality and love life and has often sparked speculation about it. After his comment, Twitter exploded with more.

One blogger/activist notes:

Haynes has, however, been outspoken about his support for LGBT rights and shared pics on Instagram of his gay brother Joshua and his husband Scott.  

Kudos to Colton.  Life in the closet is destructive and, hopefully, he can help others to avoid living a closeted life. 
 

Monday, January 14, 2013

Actress Jodie Foster Comes Out At Golden Globes

Ending years of rumors and speculation, Oscar winning actress Jodie Foster came out at the Golden Globe Awards last night after receiving the Cecil B. Demille award.  In a moving acceptance speech Foster explained her past reticence about giving up her privacy but stated that she felt the need to clarify maters at this point in her life.  I for one wish her well and hope that she finds additional peace and self-ease with the announcement behind her.  Living a secret of sorts become so exhausting and draining.  Huffington Post has details on Foster's announcement.  Here are excerpts:

Jodie Foster ended years of rampant media speculation when she casually came out of the closet while accepting her Cecil B. Demille award at the Golden Globes Sunday night. 

After being introduced by Robert Downey Jr., Foster coyly said, "While I’m here being all confessional, I just have the sudden urge to say something I’ve never been able to air in public. A declaration that I’m a little nervous about. Not quite as nervous as my publicist, huh, Jennifer? But uh, you know, I’m just going to put it out there. Loud and proud. I’m going to need your support. I am -- single!"

She then took a more serious turn, noting, "I already did my coming out about a thousand years ago, back in the Stone Age. In those very quaint days when a fragile young girl would open up to trusted friends, and family, coworkers and then gradually, proudly, to everyone who knew her."

Throughout her occasionally long-winded yet stirring speech, Foster, 50, went on to speak about privacy and its general absence in Hollywood -- a luxury that, to her, seems like a distant past.  .  .  .  .  ."If you had to fight for a life that felt real and honest and normal against all odds, then maybe you, too, would value privacy above all else."

Foster also thanked her ex-partner and co-parent, Cydney Bernard, and said she would only take projects that challenged her creatively -- which left a number of publications such as the Los Angeles Times to speculate whether or not the Oscar-winning actress was also announcing her retirement.

Again, I wish her well and hope she finds much happiness.  And I further hope that the gay will come when LGBT individuals will be viewed simply as people and that sick individuals like the professional Christian set who only feel self-satisfied when demonizing others will be viewed as the outcasts of society.